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Timeless Vaughan Williams

String Theory

String Theory

The LaGrange Symphony Orchestra (LSO)’s next concert will be “STRING THEORY” – October 28, 2025 at 7:30 PM in Callaway Auditorium in LaGrange, GA. It is devoted to the expressive power of string music. Across six fabulous works, and under the baton of Maestro Richard Prior, the evening explores how strings can sing, shimmer, and support—sometimes taking the spotlight, other times providing a rich backdrop. At the heart of the program are two luminous works by English composer Ralph Vaughan Williams (1872–1958), whose music breaks sound barriers by masterfully blending tradition with innovation.

Audiences will experience the folk-inspired beauty of Vaughan Williams’ Five Variants of Dives and Lazarus and selections from On Wenlock Edge, featuring special guest artists in an unforgettable performance.

(While we are focused on the Vaughan Williams works here, subsequent posts will offer more details about the other pieces… full program is listed below.) 

A Folk Tune Transformed: Five Variants of Dives and Lazarus

Commissioned for the 1939 World’s Fair in New York, Five Variants of Dives and Lazarus showcases Ralph Vaughan Williams’ lifelong devotion to English folk melodies. The piece takes a hauntingly beautiful tune and reimagines it in five different ways for string orchestra and harp. The original composer is unknown, but the melody is English through and through.  Williams said, “These variants are not exact replicas of traditional tunes, but rather reminiscences of various versions in my own collection and those of others.” Of all of his compositions, Vaughan Williams loved this tune.  So much so, that at his funeral, they played Five Variants of Dives and Lazarus.

Furthermore, each “variant” draws out new colors and emotions, from pastoral serenity to powerful intensity. Audiences often remark on the work’s sheer beauty and emotional depth. One listener famously described it as “music that seems to stop time,” while another called it “the most beautiful of all Vaughan Williams’ orchestrations.” A high recommendation, indeed! Undoubtedly, the live concert experience of this music on October 28th with the LaGrange Symphony Orchestra, will be moving and memorable.

As you listen, pay attention to how the theme returns in new forms—sometimes tender, sometimes grand—showing the versatility and timelessness of the folk tune itself. The harp plays a shimmering role throughout, adding a luminous quality that feels… almost otherworldly.

Poetry in Music: On Wenlock Edge

For an entirely different side of Vaughan Williams, the concert also includes three movements from On Wenlock Edge, a song cycle for tenor, piano, and string quartet. Based on poetry by A. E. Housman from A Shropshire Lad, these songs blend pastoral imagery with themes of love, loss, and the passing of time. [A Shropshire Lad is a collection of 63 poems by the English poet Alfred Edward Housman published in 1896. Here is a play for radio including excerpts. Originally broadcast on BBC Radio C. 2007]

The LSO welcomes a remarkable roster of guest artists to bring this work to life: tenor Jonathan Pilkington, the acclaimed Vega String Quartet, and pianist William Ransom. Their collaboration promises the audience a rare chance to experience the intimacy and power of this piece in live performance.

The chosen movements—I. On Wenlock Edge, IV. Oh, when I was in love with you, and VI. Clun—offer striking contrasts.

  • On Wenlock Edge opens with windswept energy, capturing the turbulence of nature and human emotion.

  • Oh, when I was in love with you is brief but witty, with a jaunty, almost mischievous character.

  • Clun closes the set in a reflective and wistful mood, painting a serene vision of the English countryside.

Audiences often note how Vaughan Williams manages to merge the sounds of the string quartet and piano into an atmospheric backdrop. The effect is intimate yet expansive—poetry set to music that lingers in the mind long after it ends.

Jonathan Pilkington String Theory
Jonathan Pilkington, tenor
Vega String Quartet
Vega String Quartet
William Ransom, piano
William Ransom

More about the Guest Artists

Jonathan Pilkington is an Atlanta based tenor and voice teacher. In recent years as an oratorio soloist, he has performed solos in Mendelssohn’s Elijah, Mozart’s Requiem, Handel’s Messiah, Verdi’s Requiem, Orff’s Carmina Burana, and Handel’s Judas Maccabaeus, among others. He was tenor soloist in the New York premiere of Mendelssohn’s Humboldt Cantata, as well as a performance of Elliott Carter’s The Defense of Corinth with the National Chorale at Avery Fisher Hall. Most recently, he performed Samuel Barber’s Knoxville: Summer of 1915 with the LaGrange Symphony Orchestra and Lili Boulanger’s Vieille prière bouddhique with the Georgia Symphony Orchestra. Jonathan was a guest soloist at the 2014 Bassi Brugnatelli International Conducting and Singing Symposium in Robbiate, Italy.

Recent recital appearances have included performances at regional colleges, universities, and churches, as well as in Dallas, Kansas City, Tucson, and northern California, featuring art song repertoire of various languages. As a professional chorister, Pilkington has performed many major choral works with the New York Philharmonic, American Symphony Orchestra, Los Angeles Philharmonic, Taylor Festival Choir, and others. Dr. Pilkington has lectured on vocal pedagogy topics at University of Wisconsin-Stevens Point and for a number of regional choirs. He holds degrees from Shorter College (B.M.), Westminster Choir College (M.M), and University of Georgia (D.M.A.). As a dedicated voice teacher, he has participated in the highly selective NATS Intern Program, competed further training at the LoVetri Institute for Somatic Voicework™ at Baldwin Wallace University, as well as One Body/One Voice at Penn State University.

Pilkington currently teaches at Emory University and at his private studios in Atlanta and LaGrange, GA. He is a staff singer at Trinity Presbyterian Church in Atlanta. As a multi-passionate entrepreneur, he also is a Luxury Travel Advisor. For more information, please visit www.jonathanpilkington.net or www.pilkingtontravels.com


The Vega String Quartet, Quartet-in-Residence at Emory University, is cultivating a new generation of chamber music lovers through dynamic performances and innovative community engagement.  The New York Times raved that “[the Quartet’s] playing had a kind of clean intoxication to it, pulling the listener along…the musicians took real risks in their music making” and the L.A. Times praised their “triumphant L.A. debut.” They concertize both nationally and internationally, most recently in Baltimore, Chicago, Nashville, Sacramento, Berlin, San Miguel, the Brahmssaal in Vienna’s Musikverein and the Kleine Zaal in Amsterdam’s Concertgebouw. The Quartet’s major performing projects at Emory have included performing the complete cycle of Beethoven quartets, as well as pairing Bach’s complete works for solo violin, viola and cello with the six Bartók quartets.

A unique aspect of the Quartet’s residency at Emory is bringing performance into the classroom, collaborating with academic professors to create interdisciplinary parallels and conversations.  They also enrich the cultural life of their community, having founded the Emory Youth Chamber Music Program, which gives intensive training in small ensemble playing to advanced pre-college students.  The Quartet was appointed to the roster of the Woodruff Arts Center’s Young Audience program, engaging thousands of students throughout the greater Atlanta school system.  They have also held residencies in Augusta, Jacksonville and Juneau which combined traditional concerts with educational outreach, performances in non-traditional venues and masterclasses for area students.

The Vega Quartet has won numerous international awards, including at the Bordeaux String Quartet Competition, as well as top prizes from the Coleman Chamber Ensemble Competition, the Carmel Chamber Music Competition, and the National Society of Arts and Letters String Quartet Competition.  They have toured throughout Asia, Europe and North America and have appeared at Weill Hall and Zankel Hall at Carnegie Hall, Bargemusic, and Duke Hall at the Royal Academy of Music, London.  The members of the Vega Quartet collaborate with some of the world’s finest musicians including David Shifrin, Mark and Maggie O’Connor, Andres Cardenes, Eliot Fisk, Christopher O’Riley, William Preucil, Richard Stoltzman, Robert Spano, Charles Wadsworth, Soovin Kim, Zuill Bailey, the Juilliard Quartet and the Eroica Trio.


William Ransom Pianist, Artistic Director, master teacher, editor, and judge for international competitions, William Ransom has appeared around the world as a soloist with orchestras, recitalist, and chamber musician. He regularly collaborates with leading musicians including Yo-Yo Ma, Richard Stoltzman, David Shifrin, William Preucil, Stephen Isserlis, Chee-Yun, Cho-Liang Lin, Mark O’Connor, and members of the Emerson, Tokyo, Cleveland, Juilliard, American, St. Petersburg, Borromeo, Parker, Ariel, Vega, Lark, Dover, Dali, and Attacca String Quartets. ​ Ransom is the Mary Emerson Professor of Music at Emory University where he is founder and Artistic Director of the Emory Chamber Music Society of Atlanta. ​ A graduate of The Juilliard School, in the summers, Ransom is Artistic Director of the Highlands-Cashiers Chamber Music Festival and for a decade was an artist-faculty member at the Kamisaibara Pianists Camp in Japan. ​ In 2016 he was named Artistic Director of the Juneau Jazz & Classics Festival and also one of Musical America Worldwide’s “30 Musical Innovators”. ​ In 2022 he was appointed Artistic Director of the Amelia Island Chamber Music Festival, and in 2024 he was awarded Chamber Music America’s “Community Impact/Presenter of the Year” prize. ​

Full Program:

The impressive full concert lineup includes:

  • Selections from On Wenlock Edge – Ralph Vaughan Williams
    Jonathan Pilkington, tenor; Vega String Quartet; William Ransom, piano
    I On Wenlock Edge | IV Oh, when I was in love with you | VI Clun

  • Allegretto from Palladio – Karl Jenkins

  • Elegy – Herbert Howells
    Yinzi Kong, viola; Vega String Quartet

  • Simple Symphony – Benjamin Britten
    I Boisterous Bourée | II Playful Pizzicato | III Sentimental Sarabande | IV Frolicsome Finale

  • Five Variants on Dives and Lazarus – Ralph Vaughan Williams
  • Concerto for Marimba and Strings – Emmanuel Séjourné
    Sebastian Ocando, marimba
    I Avec force | II Tempo souple | III Rhythmique, énergique

String Theory

Secure your tickets today and experience Ralph Vaughan Williams’ timeless music. It is all brought to life by the LaGrange Symphony Orchestra and numerous world-class guest artists. This is a concert you won’t want to miss!

© LaGrange Symphony Orchestra 2025/2026 | All rights reserved | 706.882.0662 | Richard Prior, Music Director & Conductor

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